The Expulsion (2019) opens to an image of a rising sun in the distance, emerging from behind a dual carriageway as a speed ramping editing

Imagine Persephone coming up to the surface of the earth.  She’s done this so many times, no one bothers to check if she’s really back,

Working in various prop houses whilst a student, Patrick Hough engaged in the individual narratives of the objects he worked with, following them through the

A quarry near Jerusalem at night; a stoneworker in his cluttered office; a backroom in a museum; a brief interview with an antiquities’ smuggler in

[pre-credit] Jenny Brady’s work is preoccupied with communication. Her films inquire into what delimits, delays or denies a being’s capacity to send (to speak, sign,

1) Emilia Terracciano In 2015 you were the recipient of the Drawing Room Bursary Award. During your residence at the Drawing Room you used the

A film of a recollection of a reading of a transcription of an interview that took place more than forty years ago between a man