
New Artist Focus: Frances Morgan on Katy Dove
I was writing about colours and shapes but found myself wanting to write about improvisation. Specifically I wanted to think about what it’s like improvising
I was writing about colours and shapes but found myself wanting to write about improvisation. Specifically I wanted to think about what it’s like improvising
The road made to walk on Carnival day Constable I don’t want to talk, but I got to say – From The Road (1963), by
The Expulsion (2019) opens to an image of a rising sun in the distance, emerging from behind a dual carriageway as a speed ramping editing
Imagine Persephone coming up to the surface of the earth. She’s done this so many times, no one bothers to check if she’s really back,
Working in various prop houses whilst a student, Patrick Hough engaged in the individual narratives of the objects he worked with, following them through the
A quarry near Jerusalem at night; a stoneworker in his cluttered office; a backroom in a museum; a brief interview with an antiquities’ smuggler in
[pre-credit] Jenny Brady’s work is preoccupied with communication. Her films inquire into what delimits, delays or denies a being’s capacity to send (to speak, sign,
1) Emilia Terracciano In 2015 you were the recipient of the Drawing Room Bursary Award. During your residence at the Drawing Room you used the
A film of a recollection of a reading of a transcription of an interview that took place more than forty years ago between a man
I met George Clark at Light Industry in New York in 2017, where we both attended a double-feature of Mok Chiu-Yu and Li Ching’s Letter
Watching Sylvia Kristel slowly smoke a cigarette, I think of how little the Dutch actress and model has changed since the erotic films for which
I imagine that a collection of Evan Ifekoya’s films, stumbled upon in an archive for the first time, will be akin to an offering. Perhaps
Caveat: This text was begun during lockdown during the COVD 19 pandemic. This text was continued during the BLM protests initially in the United States
Aura Satz explores voice and language through video, sound, installation and performance. Grounded in the psychoacoustic experience of the perceptual field, she approaches sonic form
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