New Artist Focus: Ektoras Arkomanis on Maeve Brennan
A quarry near Jerusalem at night; a stoneworker in his cluttered office; a backroom in a museum; a brief interview with an antiquities’ smuggler in
A quarry near Jerusalem at night; a stoneworker in his cluttered office; a backroom in a museum; a brief interview with an antiquities’ smuggler in
[pre-credit] Jenny Brady’s work is preoccupied with communication. Her films inquire into what delimits, delays or denies a being’s capacity to send (to speak, sign,
1) Emilia Terracciano In 2015 you were the recipient of the Drawing Room Bursary Award. During your residence at the Drawing Room you used the
A film of a recollection of a reading of a transcription of an interview that took place more than forty years ago between a man
I met George Clark at Light Industry in New York in 2017, where we both attended a double-feature of Mok Chiu-Yu and Li Ching’s Letter
Watching Sylvia Kristel slowly smoke a cigarette, I think of how little the Dutch actress and model has changed since the erotic films for which
I imagine that a collection of Evan Ifekoya’s films, stumbled upon in an archive for the first time, will be akin to an offering. Perhaps
Caveat: This text was begun during lockdown during the COVD 19 pandemic. This text was continued during the BLM protests initially in the United States
Aura Satz explores voice and language through video, sound, installation and performance. Grounded in the psychoacoustic experience of the perceptual field, she approaches sonic form
I still dream about the shade of yellow in P. Staff’s On Venus, the yellow of radioactive piss, corrosive light, the color of jaundice, as
The visual archival material produced as part of various European colonial projects is not absent from the collective imagination of today. While we do not
“One of the great difficulties facing anyone who attempts to unravel the problems of the ancient world is that of names. The deities of antiquity
In her essay, “This Word ‘Art’”, Emma Wolukau-Wanambwa writes of the excitement she felt on first realising that “language could be a means to hold
In 1945, French filmmaker and underwater aficionado Jean Painlevé had an optimistic vision for the future of cinema. “Soon the cinema will die. Its grandchildren
Perhaps the realisation that Blackness is a necessarily multi-accentual sign provides a means to escape either-or-ism. Blackness evolves in fractal patterns. What we can usefully
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