New Artist Focus: Jaclyn Bruneau on Charlotte Prodger
“One of the great difficulties facing anyone who attempts to unravel the problems of the ancient world is that of names. The deities of antiquity
“One of the great difficulties facing anyone who attempts to unravel the problems of the ancient world is that of names. The deities of antiquity
In her essay, “This Word ‘Art’”, Emma Wolukau-Wanambwa writes of the excitement she felt on first realising that “language could be a means to hold
In 1945, French filmmaker and underwater aficionado Jean Painlevé had an optimistic vision for the future of cinema. “Soon the cinema will die. Its grandchildren
Perhaps the realisation that Blackness is a necessarily multi-accentual sign provides a means to escape either-or-ism. Blackness evolves in fractal patterns. What we can usefully
In the trio of films shown as part of his solo exhibition at LUX in 2019, Morgan Quaintance trained his mind on the term hysteresis,
The public-private relation, its history within feminist politics and its expanded function beyond the 1970s moment with which it has become synonymous, is prodded and
“This is about a living surrealism. Pretend you are dreaming. Everything is a blur. The scenes move from one into the other but for no
Her movements are already punctuated by the movement of the camera, her pace, her time, her rhythm. (Cha, 1982, p.100[1]) Rehana Zaman’s Tell
In a publication for her 2013 video Shrugging Offing, within a text shamelessly titled ‘Bratty Bratty Brat Brat’, Lucy Clout describes the power of ‘NO’
It is relatively easy to distil the political to a cool academicism, to view it only via the lens of historiography or to abstract it
A photograph of five men standing in front of a concrete wall, somewhere in Beirut. Four hold rifles. One looks toward the camera while the
A revolutionary cry is heard in Haiti. Police sirens race across a Parisian street by night, and we collectively listen to Angela Davis discuss the
The first work I saw of Corin’s was After School Special from 2009. It was a couple of years old when I saw it, but
The films of Laida Lertxundi find their inspiration in actions and places of the artist’s own life in order to reconstruct a mysterious sense of
LUX is happy to be distributing the work of Eric Baudelaire. More information here For years when anyone was looking at the most accurate reproduction
LUX, Waterlow Park Centre,
Dartmouth Park Hill, London, N19 5JF, UK
Telephone: +44 (0)20 3141 2960
Sign up to our newswire to stay up to date with everything LUX
LUX is a registered charity and not-for-profit company limited by guarantee:
Company No: 4421812
VAT No: 795 9063 73
Charity No: 1094936
© 2021 LUX. All rights reserved.