New Artist Focus: Gabe Beckhurst Feijoo on Michelle Williams Gamaker
Listen to the audio version of this essay on Soundcloud. (Listening time: 20 minutes 21 seconds) LUX Moving Image · New Artist Focus: Michelle WIlliams
Listen to the audio version of this essay on Soundcloud. (Listening time: 20 minutes 21 seconds) LUX Moving Image · New Artist Focus: Michelle WIlliams
Listen to the audio version of this essay on Soundcloud. (Listening time: 11 minutes 21 seconds) LUX Moving Image · New Artist Focus: KJ Abudu
Listen to the audio version of this essay on Soundcloud. (Listening time: 12 minutes 23 seconds) LUX Moving Image · New Artist Focus: Inga Lāce
Listen to the audio version of this essay on Soundcloud. (Listening time: 14 minutes 32 seconds) LUX Moving Image · New Artist Focus: Corina Copp
Listen to the audio version of this essay on Soundcloud. (Listening time: 11 minutes) LUX Moving Image · New Artist Focus: Minh Nguyen on Suneil
Listen to the audio version of this essay on Soundcloud. (Listening time: 9 minutes) LUX Moving Image · The Questioned Body A Body Of Questions
[O]ur feeling for reality depends utterly upon appearance and therefore upon the existence of a public realm.[1] — Hannah Arendt Mikhail Karikis sculpts human voices
Listen to the audio version of this essay on Soundcloud. (Listening time: 12 minutes) LUX Moving Image · New Artist Focus: Elhum Shakerifar On Maryam
Listen to the audio version of this essay on Soundcloud. (Listening time: 12 minutes) LUX Moving Image · New Artist Focus: Sean Elder On Anne
Listen to this essay on Soundcloud (12 minute listen) LUX Moving Image · Syncretic Psychedelia. Chris Fite-Wassilak on Duncan Marquiss read by Benjamin Cook
Seamus Harahan was born in London in 1968 and grew up there and in East Tyrone. He lived in Belfast for most of his adult
I was writing about colours and shapes but found myself wanting to write about improvisation. Specifically I wanted to think about what it’s like improvising
The road made to walk on Carnival day Constable I don’t want to talk, but I got to say – From The Road (1963), by
The Expulsion (2019) opens to an image of a rising sun in the distance, emerging from behind a dual carriageway as a speed ramping editing
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