The journal and readings come together in ‘Limbo’ between a film and a journal. The film shows the outward journey as a positive image, with the retur:n journey in negative superimposed backwards and forwards concurrently in a visual/virtual palindrome. The images – domestic and commercial buildings, stations, bridges, tunnels, graffiti, landscape – are sometimes ghostly in appearance, the everyday turned into an unlnown land. The soundtrack underscores the many layers and time frames employed in the first journal entries, the subsequent recordings many years after the events described, give a dizzying sense of time, place and memory.
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