Shared Resources
Shared Resources depicts the filmmaker’s family after their father was fired from his job as a debt collector and their parents declared bankruptcy, largely due
Shared Resources depicts the filmmaker’s family after their father was fired from his job as a debt collector and their parents declared bankruptcy, largely due
Framing the solo exhibition “Prophetic Memory,” this video remediates images of the NYC nonprofit art gallery, Artists Space, with the filmmaker’s grandmother’s descriptions of how
Made collaboratively with the filmmaker’s mom Deborah, I Can Hear My Mother’s Voice documents her process of learning how to use the filmmaker’s video camera.
Circe’s Dream is part of a larger body of work that reimagines the myth of Medea through the lens of her displacement from Colchis (modern-day
‘Some Place in Your Mouth’ is shot in the Forum car park on the edge of Palermo. Young men sit on bouncing mopeds; cars overloaded
Indoors, half-light: a young boy is seated by a desk, his mother at his side; he is reading a text printed on a sheet of
Exile as a space for transnational solidarity is explored through a discursive, community-oriented process of production centred around a retreat in the South of France.
An homage to Etel Adnan (1925-2021) the film invokes a queer and ghostly presence through the recitation of Adnan’s poetry in Sausalito, CA where she
During the COVID 19 pandemic, Williams Gamaker was invited by artist Bianca Hlywa to support Refugee Solidarity South East, an online fundraiser for Lewisham Refugee
The Silver Wave was an ‘Untold Stories’ commission for the Royal Albert Memorial Museum, Exeter. Inspired by objects from the Arctic region in RAMM’s collection,
In House of Women (2017), the artist recasts the role of a silent, dancing girl named Kanchi in the film Black Narcissus (1947). The coveted
Casting Kanchi (2015) is a spatialised and expanded version of House of Women (2017) and a response to the casting of white actor Jean Simmons
Lagerah – The Last Born is a work anchored around theories of abolition, rebellion, ancestral knowledge and love. Shot on location in Scotland, London and
The Invisible Worm is a funny / serious film with spontaneous moments of joy, physicality and thinking aloud. The subtext of the film is the
8 TOPAKETA is an ephemeral school and a collaborative 16 mm film project made in the mountains of the Basque Country based on a series
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