Themes: Feminism

Leisure, Utopic

Indoors, half-light: a young boy is seated by a desk, his mother at his side; he is reading a text printed on a sheet of

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The Retreat

Exile as a space for transnational solidarity is explored through a discursive, community-oriented process of production centred around a retreat in the South of France.

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VEINS (slightly soft)

During the COVID 19 pandemic, Williams Gamaker was invited by artist Bianca Hlywa to support Refugee Solidarity South East, an online fundraiser for Lewisham Refugee

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The Silver Wave

The Silver Wave was an ‘Untold Stories’ commission for the Royal Albert Memorial Museum, Exeter. Inspired by objects from the Arctic region in RAMM’s collection,

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House of Women

In House of Women (2017), the artist recasts the role of a silent, dancing girl named Kanchi in the film Black Narcissus (1947). The coveted

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Casting Kanchi

Casting Kanchi (2015) is a spatialised and expanded version of House of Women (2017) and a response to the casting of white actor Jean Simmons

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The Invisible Worm

The Invisible Worm is a funny / serious film with spontaneous moments of joy, physicality and thinking aloud. The subtext of the film is the

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Wayfaring Stranger

Wayfaring Stranger charts the life of an itinerant character, embodied by seven performers, across seven days, representing seven decades. Running from the city, through post-industrial

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Ninna Nanna

Margaret Salmon’s three films collectively titled Ninna Nanna, depict the experience of three Italian mothers raising their children, with the films linked by a traditional

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