8 TOPAKETA is an ephemeral school and a collaborative 16 mm film project made in the mountains of the Basque Country based on a series
Wayfaring Stranger charts the life of an itinerant character, embodied by seven performers, across seven days, representing seven decades. Running from the city, through post-industrial
Margaret Salmon’s three films collectively titled Ninna Nanna, depict the experience of three Italian mothers raising their children, with the films linked by a traditional
Everything Worthwhile is Done with Other People (2023) takes up the conversations, experiences and freedom dreams of a group of women affected by the carceral
Dear Barbara, Bette, Nina, (2021) was commissioned as part of a project by Punto de Vista Film Festival in which several filmmakers were asked by
A portrait of American poet Eileen Myles. Outtakes from the filming of I HOPE I’M LOUD WHEN I’M DEAD.
A holographic installation. ‘2,500 years after her birth, Alcestis – a mysterious, Lynchian figure – returns from the underworld dreaming, or dreamt by, a man
“Who was Medea before she had children?” Inspired by the artist’s visit to historical cave pharmacy in Southern Georgia, and Roland Barthes’ idea of language
Double Exposure re-stages photographs of Pucill and her once partner, filmmaker Sandra Lahire that were made collaboratively shortly before Lahire’s death from anorexia in 2001.
‘Yes to the Work!: The Women’s Art Library’ incorporates the feminist links between art and education. The film socially interweaves a diverse range of artists
An experimental feminist opera-film about class and conflict, ‘History of the Present’ has been made collaboratively by Maria Fusco and Margaret Salmon, featuring new compositions
Can sound mobilise socio-political and physical change? Working across film, sound and performance, Greek-British artist Mikhail Karikis adopts the children’s science fiction novel ‘The Iron
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