Feminism Archives - Page 3 of 8

sorry, not sorry

Alberta Whittle’s Sorry, not sorry focuses on the pressure put on the Windrush generation to represent conflicting identities: the exotic with the alien; the carefree

Eye Cut

The film’s protagonist is a masked woman in a nude bodysuit, who wears a cardboard box that doubles as a theatre stage. The woman takes

Inner Outer Space

Lertxundi’s first film since relocating to Spain from California in 2019 is a triptych composed of three independent and yet interrelated pieces – Teatrillo, Inner

business as usual: hostile environment

‘Business as usual’ is a set phrase used commonly in the business realm to manifest an ‘on going and unchanging state of affairs despite difficulties

Lens Diary

Notes on relational optics.(or… what lens did I use and what it felt like to use it, how it affected my physical proximity to people

Beyond The Substrata

Throughout 2019 artist Larry Achiampong developed new work in response to his residency with Waltham Forest Council. Working within an abandoned supermarket in Leyton, the

Jennifer

The film is portrait of Jennifer – a friend of the filmmaker’s who is an enclosed Carmelite nun in a monastery in Ronda, Spain, where

The Long Note

Exploring social histories through film, photography, print, text and performances, Helen Cammock creates multiple and layered narratives that are not linear, allowing the cyclical nature

Between the Bullet and the Hole

‘Between the Bullet and the Hole’ is a film centred on the elusive and complex effects of war on women’s role in ballistic research and

In and Out of Synch

‘In and Out of Synch’ centres around the optical printing of soundtracks, committing to 16mm film a technology on the verge of extinction, entombing and

Oramics: Atlantis Anew

“We will be entering a strange world where composers will be mingling with capacitors, computers will be controlling crotchets and, maybe, memory, music and magnetism

Solo Damas

Solo Damas rests upon a woman’s fragmented journey back to an island inhabited with decomposing dolls, haunting effigies symbolizing rebirth and transcendence. It talks directly

36 to 77

In 1977 Marc Karlin, James Scott and Humphry Trevelyan started work with Jon Sanders on a sequel to Nightcleaners that was to focus on the

Two Stones

Two Stones explores the trajectories and ideals of the Bauhaus-trained, German architect Lotte Stam-Beese and the Caribbean activist and writer Hermina Huiswoud through dialogues and

Specialised Technique

William Sellers and the Colonial Film Unit developed a framework for colonial cinema, this included slow edits, no camera tricks and minimal camera movement. Hundreds

Themes: Feminism