Feminism Archives - Page 2 of 8

Being in a Place – A Portrait of Margaret Tait

In the spirit of the late filmmaker and poet, Margaret Tait (1918-1999), Being in a Place is as much a portrait of Tait’s beloved Orkney,

Jackals and Drones (Chronicles of A Summer)

The narrative follows a road movie schema, but only superficially: a Belgian actress arrives in Tbilisi airport to travel to the medieval cave city of

Let us flow ვიდინოთ

For me the Tush people stand out for their dedication to their traditional way of life which is influenced by extreme weather conditions as much

MADOLI

The traditional celebration of Madoli – with rich mixture of pagan and early Christian symbolism – is held every summer in the mountains of Tusheti

filming ambiguity

GIRL OVERBOARD SEQUENCE 5 ELSEA I began being drawn to what Mr Lang says about children and then I returned again and again to his

Back as front, inside as out

A theory of holography described how a three-dimensional image of information, as patterns encoded in a beam of light, could be stored on a photographic

A Blemished Code

A Blemished Code gives voice through spoken and sung script to the work and life of artist Margaret Benyon, a pioneer in the use of

Fragments

text becomes the body for a hand.

Absent Wound زخم

The rituals of warrior training is seen in combination with the recitations of a young girl. Whilst seemingly in separate worlds, the film draws parallels

Doppelgänger

This work is one of only two remaining video pieces from a series started in 1974. Three other works were exhibited at the Video Show,

obsada

The Polish word ‘obsada’ means ‘film cast’ but can also mean ‘working party’ – it connotes the distribution of work positions , but also: placing a plant

The Hide

The Hide was shot over a three-year period (2019-2022), both in the remote mountainous region crossing Northern Portugal and Spain, and in Brussels. The work

Through a Shimmering Prism, We Made a Way

Three sisters move through public/political space – a square, bridge, garden and hill- in this exploration of Black diaspora. Taking as its starting point empty

You Can Never Touch the Same Water Twice

Filmmaker and artist Alberta Whittle traces Transatlantic ancestral trauma through her own voice, in song and spoken word and through her body.

What sound does the black atlantic make

Whittle’s 2019 filmwork What Sound Does the Blk Atlantic Make? departed from a visit to the archives of the North British Rubber Company, founded in

Themes: Feminism