Language and text Archives

Image of the face of a statue with a grid of thick black lines over the image.

_God_Mode_

In _GOD_MODE_ , Blandy and Achiampong present the history of eugenics and explore its present-day legacy in philosophical, poetic and polemic terms. Filmed in two

here and not here

A film diary, in 15 short dispatches, from a place that both does and does not exist – a state in waiting, a geography beyond,

We Felt A Star Dying

In this work, Prouvost plunges into the counterintuitive logic of quantum physics, and the technologies emerging from it. She asks: “what might it feel like

The Glass Booth

The Glass Booth casts a cinematic spotlight on the role of the interpreter, revealing their complex role as both witness and mediator. First employed prominently

In a dimly lit room, a white woman with blonde hair covers her face with her hands. Her eyes appear to be closed tightly; it's unclear if she's laughing or crying. A caption at the bottom of the image reads: “laughter.”

Shared Resources

[Image Description: In a dimly lit room, a white woman with blonde hair covers her face with her hands. Her eyes appear to be closed

After… After… (Access)

[Image description: The inside of a body, including a spine and other organs, appears on a laptop screen. A white person’s hand reaches toward the

A passage in an art gallery in-between exhibitions shows a white wall with a sheet of white plywood leaning against it, lit by a single light, with industrial-looking columns running down the center of the passage and along the opposite edge from the wall. On the image is a caption over a black bar that reads: on the on that on that wood or whatever that is, that metal.

Expressions

[Image description: A passage in an art gallery in-between exhibitions shows a white wall with a sheet of white plywood leaning against it, lit by

Soldiers lower to the ground, doing a training exercise in a green space in a park, framed by a black border. Beneath the image there’s a caption that reads: “Or another way of saying it is: how these images are put to work.”

An All-Around Feel Good

[Image description: Soldiers lower to the ground, doing a training exercise in a green space in a park, framed by a u-shaped black border that

The torso of a white man holding a potato in one hand and a knife in the other. A caption at the bottom of the image reads: "A potato that he has cut a huge gouge..."

I Can Hear My Mother’s Voice

Made collaboratively with the filmmaker’s mom Deborah, I Can Hear My Mother’s Voice documents her process of learning how to use the filmmaker’s video camera.

Image of a statue of an angel with wings holding a cross in the background and in the foreground, a hand slightly covering the lens on the left side of the frame and the entire right side of the frame is tinted red.

Circe’s Dream

Circe’s Dream is part of a larger body of work that reimagines the myth of Medea through the lens of her displacement from Colchis (modern-day

4 ayes

A frolic through the foreafter “in the aye”; A tale told in four ayes The four-abend of the other ayes; An oculists nightmare; A random

3rd aye

The long-unawaited treacle-trequel of the “aye” heterology following the unfathomably suckercessfool prequel-equal-sequel, “i 2 aye” (over 40 awards at over 50 festivals in 1st 6

Pyramid Schemes

“Pyramid Schemes” is a powerful treatise on architecture in eleven chapters. Narrated by a computer-simulated voice, the video opens with the premise that “architecture is

Being John Smith

“An autobiographical reflection on his unassuming name leads the filmmaker down a wayward path through family photographs, personal archives, and internet searches. Alternately wry and

That the Sunset Is a Lie

An essay written with screenshots from movies I watched on my computer. The screenshots are printed on 35mm slides and presented as a projection.

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