Weed Killer
Inspired by artist-writer Catherine Lord’s memoir The Summer of Her Baldness (2004), a moving and irreverent account of the author’s experience of cancer. At the
Inspired by artist-writer Catherine Lord’s memoir The Summer of Her Baldness (2004), a moving and irreverent account of the author’s experience of cancer. At the
“once we were plankton slouched in the oceanbut now we are code,surfaced and held in the laminae of rock like open scores ”This narrative voice
This video combines found footage from the artist’s personal archive and that of Liverpool based filmmaker Sandi Hughes (Rewind/Fast Forward). It explores cycles of trauma,
Correspondência um. is a collaboration with dance artist Susanne Mayer, taking its title from a year long correspondence and studio practice. The choreography for this
They Parlaient Idéale reflects on what it means to be a citizen of a nation, especially when one’s identity is rather ambiguous. A cross-generational and
Another Decade combines archive footage from the 1990s with newly shot 16mm film and standard definition video. Starting from testimonies and statements made by artists
English; speech from memory; figures of ‘osmotic’ learning and ‘learning by wrote’ are placed in relation to one another, in a response to Hieronymous Bosch’s painting
This film was made in collaboration with artist Rose O’Gallivan: To the microphone please (with Mrs Soprano) contains the dramaturgy of a press release in two languages posing
The series is called POEMFIELD. All of these films explore variations of poems, computer graphics, and in some cases combine live action images and animation
The series is called POEMFIELD. All of these films explore variations of poems, computer graphics, and in some cases combine live action images and animation
Screams of death open Resonating Surfaces on a whitened and scratched film. It is upon that bearer of images where no image is to be
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