A filmmaker travels to Japan to show a film and during the trip, a correspondence with a Scottish man about a murder and a chance
Throughout 2019 artist Larry Achiampong developed new work in response to his residency with Waltham Forest Council. Working within an abandoned supermarket in Leyton, the
A portrait of a magnificent bird draws on the 30- year relationship between animal cognition scientist Irene Pepperberg and the African grey parrot she trained
City of Dreadful Something, draws upon Herbert Read’s archive as a jumping off point, combining a poem by the late Martin Bell, cover visuals from
Sunday’s Best is a film and installation comprised of vivid audio and images of praise and worship sessions in a Ghanaian community church, married with
A Distant Echo is a feature film that explores themes of myth, identity, culture and the construction of history. Shot on 35mm film, A Distant
Aphotic – without light – refers to the depths of a body of water where sunlight does not penetrate. Across the five screens of ‘The
‘Its soil was a plot she do the tree in different voices’ is composed of several connected elements: a single channel 16mm film, sculpture, 4 channel sound
In ‘CANWEYE { }’, the image of the film set, between states of construction and deconstruction, becomes the main narrative character in a meta-fiction, shot
內聖 / 外王 Gathering interviews, readings, photographs and research material exploring Raúl Ruiz’s unfinished film The Comedy of Shadows. Inner Sage/Outer King is an open
Moveable Bridge, 2017, made on a residency in Hull, draws together Nina Simone, Philip Larkin, Winifred Holtby and the Housemartins. Partly, Cammock reveals the way
Exploring social histories through film, photography, print, text and performances, Helen Cammock creates multiple and layered narratives that are not linear, allowing the cyclical nature
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