Friday Fried
The Film FRIDAY FRIED mixes sound images in a strictly procedural manner based upon a relationship with the picture track which itself is structured around
The Film FRIDAY FRIED mixes sound images in a strictly procedural manner based upon a relationship with the picture track which itself is structured around
Timing 1, 2, 3, 4 (A part of MODELS Reel 1, 1972) ‘Timing 1, 2, 3, 4 consists of four 100 foot films which have
The sixth in a group of eight “Visible Inventories” in various media (2 films, 2 photo grids, 1 videotape, and 2 natural light installations) which
A patterned system of full-frame ‘masks’ is imposed (in printing) on a looped action sequence in order to explore aspects of the production of the
A one second shot of me walking into the shot wearing a striped jersey was printed repeatedly, this strip of negative was moved laterally across
A dialogue between a camera and a shaving mirror. Like Running Dog, an unedited 50 foot super-8 roll exposed without interruption and optically printed to
Wilhelm and Birgit HEIN have, since the mid-sixties, been pioneers of the European tradition of structural film-making, a tradition strongly grounded in the anti-art activities
“…disassembling and reassembling the frame structure from its original seconds of an event, to however many minutes of that event are necessary to reveal its
“…disassembling and reassembling the frame structure from its original seconds of an event, to however many minutes of that event are necessary to reveal its
“One Shot Jack offers itself as a carefully composed, vividly lit series of images which hint at the nature of masculinity rather then presenting an
To work with film first and foremost means to me to create structures, to compose. I chose fragments of material, which I construct into a