A patterned system of full-frame ‘masks’ is imposed (in printing) on a looped action sequence in order to explore aspects of the production of the

“An adventure film about a sexual neurosis, that is resolved into what everyone likes to have and to do. Kelek turns the spectator into a

A one second shot of me walking into the shot wearing a striped jersey was printed repeatedly, this strip of negative was moved laterally across

A dialogue between a camera and a shaving mirror. Like Running Dog, an unedited 50 foot super-8 roll exposed without interruption and optically printed to

Wilhelm and Birgit HEIN have, since the mid-sixties, been pioneers of the European tradition of structural film-making, a tradition strongly grounded in the anti-art activities

“…disassembling and reassembling the frame structure from its original seconds of an event, to however many minutes of that event are necessary to reveal its

“One Shot Jack offers itself as a carefully composed, vividly lit series of images which hint at the nature of masculinity rather then presenting an

To work with film first and foremost means to me to create structures, to compose. I chose fragments of material, which I construct into a

(to be played with Tod Docksteader or any other percussive track) Strobe effects, varying rhythms causing ‘blink rate confusion’ – forcing eye open – aims