Credits as at 24/10/2008
Invited to contribute an ‘artistic family tree’ to the LUX Associations Project in 2008, I created a document of my significant influences as I perceived
Invited to contribute an ‘artistic family tree’ to the LUX Associations Project in 2008, I created a document of my significant influences as I perceived
“My artworks have neither object nor space nor line nor anything – no forms. They are light, lightness, about merging, about formlessness, breaking down form.
THIS IS A PROJECTION This is a projection This is a projector This is a slide projector This is a slide This is a series
In 2008 de-regulated globalised finance capital brought the world to the brink of disaster. Its ideology of market fundamentalism and unconstrained corruption proved to be
Made in collaboration with Noël Burch, the video Red Hollywood is one product of Andersen’s years of research into the Hollywood blacklist, a larger project
In ‘How to Make Money Religiously’ (2014) two slightly altered versions of the same piece play sequentially in a loop, creating a moment of deja-vu.
Each, video in these works is a strange still life. Images are set to song, providing fantastical and funny back-stories for everyday objects.
The Wanderer (The Storage) by Laure Prouvost , a newly commissioned film sequence and installation forming part of her ambitious feature-length film project The Wanderer.
The Wanderer (Bunker) takes place in an underground bunker, reminiscent of the cold war era, where the characters and their surrounding environment are literally turned
The Misty Suite begins in silence with shadowy images hard to identify. After almost two minutes there are fragments of sound, and then an actor
The Wanderer (Betty Drunk) by Laure Prouvost is a newly commissioned film and installation forming part of her ambitious feature-length film project The Wanderer. Comprising
The Picture House is a condensed experience of film viewing, a single 360 degree animated shot in Liverpool’s oldest working cinema, where the sound becomes
