Themes: Structure and series

4 ayes

A frolic through the foreafter “in the aye”; A tale told in four ayes The four-abend of the other ayes; An oculists nightmare; A random

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i 2 aye

The prequel-equal-sequel to the award-winnning, highly acclaimed feature filuminium “i eye aye” (UK 2021, 99 minutes) Overcoming LIFE and DEATH, Das Institut für den reinen

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Side-Splitting

All the sections of the film originated as three minute films intended to be screened separately. Dam, and Untitled 1988 Broadgate were both screened in

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Repetitions

An exploration of recursive patterns, a series of repeated sequences, flickering images and looping sounds. On the surface, Repetitions concentrates on inducing retinal excitement and

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Collision Index

A selection of objects from the eccentric collection of the McManus museum in Dundee, are reorganised into a new analogical composition, testing unexpected relationships between

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Jennifer

The film is portrait of Jennifer – a friend of the filmmaker’s who is an enclosed Carmelite nun in a monastery in Ronda, Spain, where

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Circumstantial Pleasures

Klahr, whom critic J. Hoberman called “the reigning proponent of cut and paste” for his acclaimed collage animations, is best known for his seductive and

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Relic 3

The fourth film in what is currently a quadrilogy, ‘Relic 3’ forms part of Relic Traveller: Phase 2, a multi-disciplinary project by Larry Achiampong, which

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Relic 0

‘Relic 0’ forms part of Larry Achiampong’s Relic Traveller: Phase 1, a multi-disciplinary project manifesting in performance, audio, moving image and prose. Taking place across

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(Reprise) Sunday’s Best

‘(Reprise) Sunday’s Best’ considers how belief systems within the diaspora are inflected by colonial histories. As part of his current research Larry Achiampong is interested

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Relic 1

‘Relic 1’ forms part of Larry Achiampong’s Relic Traveller: Phase 1, a multi-disciplinary project manifesting in performance, audio, moving image and prose. Taking place across

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Credits as at 24/10/2008

Invited to contribute an ‘artistic family tree’ to the LUX Associations Project in 2008, I created a document of my significant influences as I perceived

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