All the sections of the film originated as three minute films intended to be screened separately. Dam, and Untitled 1988 Broadgate were both screened in
The Blue Rose of Forgetfulness (2021, 63:30) is my latest feature length series of collage films, is a compilation of 6 films created between 2015
An exploration of recursive patterns, a series of repeated sequences, flickering images and looping sounds. On the surface, Repetitions concentrates on inducing retinal excitement and
A selection of objects from the eccentric collection of the McManus museum in Dundee, are reorganised into a new analogical composition, testing unexpected relationships between
Klahr, whom critic J. Hoberman called “the reigning proponent of cut and paste” for his acclaimed collage animations, is best known for his seductive and
‘(Reprise) Sunday’s Best’ considers how belief systems within the diaspora are inflected by colonial histories. As part of his current research Larry Achiampong is interested
‘Object Interviews’, is a series of three films in which specialists from various fields interpret and discuss a range of film props. Part I features
‘Object Interviews’, is a series of three films in which specialists from various fields interpret and discuss a range of film props. Part I features
Invited to contribute an ‘artistic family tree’ to the LUX Associations Project in 2008, I created a document of my significant influences as I perceived
“My artworks have neither object nor space nor line nor anything – no forms. They are light, lightness, about merging, about formlessness, breaking down form.
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