Summer 2015 LUX Writer in Residence, Federico Windhausen first post on the pre-history of Argentine Experimental Cinema
The third post from the series VERTIGO by Curator in Residence Ellen Greig, focusing on verticality, power and the limits of the visible in artist
LUX is happy to be distributing the work of Eric Baudelaire. More information here For years when anyone was looking at the most accurate reproduction
The second post in our new series VERTIGO, by Curator in Residence Ellen Greig, focusing on verticality, power and the limits of the visible in
The first post in our new series VERTIGO by Curator in Residence Ellen Greig focusing on verticality, power and the limits of the visible in
The third post in our new series I BURN THE WAY MONEY BURNS by Curator in Residence Victoria Brooks focusing on moving images made during the 1980s from LUX and Cinenova’s collections.
The second post in our new series I BURN THE WAY MONEY BURNS by Curator in Residence Victoria Brooks focusing on moving images made during the 1980s from LUX and Cinenova’s collections.
The final post in the series by Curator in Residence, Tim Steer
The first post in our new series I BURN THE WAY MONEY BURNS by Curator in Residence Victoria Brooks focusing on moving images made during the 1980s from LUX and Cinenova’s collections.
The next installment in the series by Curator in Residence, Tim Steer
To mark the Essential Experiments event at the BFI: Flower Children in the Blinding Light: the 60s Films of Anthony Stern
By Curator in Residence, Tim Steer
Michelle Deignan has often worked in dialogue with television, whether by exploring its physical and organisational infrastructure, or by appropriating and reworking its conventions. In
The first post of a series by our first Curator in Residence, Tim Steer looking at the formal tropes and conventions of repetition in moving image and its relation to desire.
Gail Pickering is an artist in the business of transformation. Her transformations often trace twentieth century socio-cultural movements from their exuberant beginnings to their soft,
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