Love in a Cold Climate, a talk by Michael Curran
This is the text an illustrated talk that LUX artist Michael Curran presented at the National Film Theatre in 2003 to mark the premiere of his
This is the text an illustrated talk that LUX artist Michael Curran presented at the National Film Theatre in 2003 to mark the premiere of his
Listen to this essay on Soundcloud (12 minute listen) LUX Moving Image · Syncretic Psychedelia. Chris Fite-Wassilak on Duncan Marquiss read by Benjamin Cook
l arrived at Hatoum’s video work by chance and also strategically. My first encounter was with So Much I Want to Say (1983) and I
Seamus Harahan was born in London in 1968 and grew up there and in East Tyrone. He lived in Belfast for most of his adult
Lucy Clout’s ZZZ is available to view from 13 July to 31 August here “We are never exactly containers. No body is marked with a
A note: I first saw Idrish (ইদ্রিস) as part of the programming team of Berwick Film & Media Arts Festival (BFMAF) where we programmed it
I was writing about colours and shapes but found myself wanting to write about improvisation. Specifically I wanted to think about what it’s like improvising
The road made to walk on Carnival day Constable I don’t want to talk, but I got to say – From The Road (1963), by
The Expulsion (2019) opens to an image of a rising sun in the distance, emerging from behind a dual carriageway as a speed ramping editing
In this essay filmmaker, programmer, curator, and DJ, Rabz Lansiquot reflects on Martina Attille’s Dreaming Rivers, exploring themes of familial connection and forgotten voices in
Imagine Persephone coming up to the surface of the earth. She’s done this so many times, no one bothers to check if she’s really back,
Working in various prop houses whilst a student, Patrick Hough engaged in the individual narratives of the objects he worked with, following them through the
A quarry near Jerusalem at night; a stoneworker in his cluttered office; a backroom in a museum; a brief interview with an antiquities’ smuggler in
[pre-credit] Jenny Brady’s work is preoccupied with communication. Her films inquire into what delimits, delays or denies a being’s capacity to send (to speak, sign,
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