Valeria Street
Initiated by an unearthed photograph of her father and his colleagues around a conference table in a generic mid-century office, Valeria Street charts a personal-political
Initiated by an unearthed photograph of her father and his colleagues around a conference table in a generic mid-century office, Valeria Street charts a personal-political
Look and Learn excavates the visual vocabulary we use to operate and construct the daily world. Look and Learn explores the juxtaposition of two material
Thug Odyssey is a fan-inspired animated sequel to the Hollywood film Gridlock’d (1997), which starred Tupac Shakur, Tim Roth and Thandie Newton. In the movie,
City of Dreadful Something, draws upon Herbert Read’s archive as a jumping off point, combining a poem by the late Martin Bell, cover visuals from
‘THE VERY VERY END’ is an artist’s video work about a holiday resort where tourists and holiday makers are waiting for a nuclear radiation cloud
Klahr, whom critic J. Hoberman called “the reigning proponent of cut and paste” for his acclaimed collage animations, is best known for his seductive and
In ‘PHX [X is for Xylonite]’, the first semi-synthetic plastics are considered through their relationship to the chemical and industrial development of photography and film.
Rivers run red, planes hover over waters, ships travel in darkness, and towers loom and topple. Disaster seems imminent as the hunters prepare to shoot.
A Nightmare on BAME Street shows an urban tableau-vivant set in a skewed version of an area of Birmingham, where Pandhal grew up. In an
The Rebirth of Sacred Cow Mixtape Trailer mimics a rap music video with a new song teaser at the end to boot, featuring guest vocals
Pandhal considers the taboo against Indian wives to name their husbands directly, taking his subjective experience of a patriarchal naming practice in his familial surroundings
Paranoid Picnic juxtaposes video footage of Pandhal’s studio with digital animation. Pandhal’s accompanying vocals explore the idea of ‘dissonant heritage’, a term used in heritage
Layered with trickster-daemonic cues, Happy Thuggish Paki is an audiovisual collage exploring practices of associative thinking and elliptical wordplay akin to rap production. It takes
‘In and Out of Synch’ centres around the optical printing of soundtracks, committing to 16mm film a technology on the verge of extinction, entombing and
LUX, Waterlow Park Centre,
Dartmouth Park Hill, London, N19 5JF, UK
Telephone: +44 (0)20 3141 2960
Sign up to our newswire to stay up to date with everything LUX
LUX is a registered charity and not-for-profit company limited by guarantee:
Company No: 4421812
VAT No: 795 9063 73
Charity No: 1094936
© 2021 LUX. All rights reserved.
This website uses cookies so that we can provide you with the best user experience possible. Cookie information is stored in your browser and performs functions such as recognising you when you return to our website and helping our team to understand which sections of the website you find most interesting and useful.
Strictly Necessary Cookie should be enabled at all times so that we can save your preferences for cookie settings.
If you disable this cookie, we will not be able to save your preferences. This means that every time you visit this website you will need to enable or disable cookies again.
More information about our Cookie Policy