Initiated by an unearthed photograph of her father and his colleagues around a conference table in a generic mid-century office, Valeria Street charts a personal-political path through the recesses of America’s industrial ecosystem. Using frame-based filmmaking, collage, i-phone video, and re-photography, Geiser presents an array of images (geometric diagrams, blueprints, live-action landscape shots) in a prismatic reflection on power, work, landscape, and family.
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