Archive Archives

MASCON: A Massive Concentration Of Black Experiential Energy

Think of Mascon: A Massive Concentration Of Black Experiential Energy as an audiovisual investigation into the gestures, geometries, grammars and geographies that compose the forms

Two Refusals (Would We Recognize Ourselves Unbroken?)

“Two Refusals (Would We Recognize Ourselves Unbroken?)” is an experimental film focusing on interwoven narratives around the mutual struggle against Portuguese colonialism between India and

4 ayes

A frolic through the foreafter “in the aye”; A tale told in four ayes The four-abend of the other ayes; An oculists nightmare; A random

3rd aye

The long-unawaited treacle-trequel of the “aye” heterology following the unfathomably suckercessfool prequel-equal-sequel, “i 2 aye” (over 40 awards at over 50 festivals in 1st 6

Pyramid Schemes

“Pyramid Schemes” is a powerful treatise on architecture in eleven chapters. Narrated by a computer-simulated voice, the video opens with the premise that “architecture is

E-MINOR

E-Minor’s starting point is a linoleum tile depicting a clown’s face that existed in the basement of Hill’s grandparents’ home on Staten Island, New York.

Bassology

“Bassology” is part of a series of very short videos that Medoidze is producing. This series employs both original and archival material, showcasing her distinctive

Being John Smith

“An autobiographical reflection on his unassuming name leads the filmmaker down a wayward path through family photographs, personal archives, and internet searches. Alternately wry and

Images Were Burning

A reflection on images of violence, the film strings together excerpts from Medoidze’s writing and archive footage. Filmed in the vicinity of Hotel Tbilisi, during

Royal Debris

Located at 3005 Massachusetts Ave N.W. Washington D.C., the former embassy of Iran in the US has been shuttered for four decades. The vacant and

The Silver Wave

The Silver Wave was an ‘Untold Stories’ commission for the Royal Albert Memorial Museum, Exeter. Inspired by objects from the Arctic region in RAMM’s collection,

The Bang Straws

The Bang Straws is an aesthetically invigorating reworking of the casting process of Sidney Franklin’s The Good Earth (1937) a film notorious for a white

The Eternal Return

The Eternal Return, the third instalment in the Dissolution trilogy, posits a now-struggling Sabu in 1952 as he supports his family by performing in Tom

The Fruit is There to be Eaten

‘The Fruit is There To Be Eaten’, the second instalment of the Dissolution Trilogy is based on Michael Powell and Emeric Pressburger’s Black Narcissus (1947).

Elephant Boy

Elephant Boy (2016) sees Krishna Istha re-enact the introductory sequence of Zoltan Korda’s Elephant Boy (1937), in which child actor Sabu recites lines by rote

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