Glass Factory (Stekliani, 1972, Everyday)
‘After the factory closure, most of Vasily’s archives were destroyed by the looters. Only one can of film did survived – it was buried deep
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‘After the factory closure, most of Vasily’s archives were destroyed by the looters. Only one can of film did survived – it was buried deep
Staff’s film, La Nuit Américaine, takes its title from the French term for the analog film technique of shooting by day, with a complex set
Pure Means is two screen video work by P. Staff, shot in a California desert wilderness during the summer of 2021. Through scenes of volatility,
Welcome to the age of cosmic radiation! In 2021 the Sun fell to its lowest point of activity since the birth of science. Its magnetic
The Black Sea occupies a special place both of trauma and of pleasure in Medoidze’s video Questions and Answers. Combining the shots of Black sea
The film depicts a woman from two sides at once: walking towards and, simultaneously, away from the camera. One moment at a time. Frame by
Initiated by an unearthed photograph of her father and his colleagues around a conference table in a generic mid-century office, Valeria Street charts a personal-political
Klahr, whom critic J. Hoberman called “the reigning proponent of cut and paste” for his acclaimed collage animations, is best known for his seductive and
Philosopher Johnny Golding ruminates on a formative childhood experience, when her father brought home an early prototype of night vision he was working on for
‘Between the Bullet and the Hole’ is a film centred on the elusive and complex effects of war on women’s role in ballistic research and
‘In and Out of Synch’ centres around the optical printing of soundtracks, committing to 16mm film a technology on the verge of extinction, entombing and
‘Preemptive Listening (part 1: The Fork in the Road)’ is a short 16mm film which serves as part 1 of a larger research project on
The vivid pastoral scenes and colour screens in Time:Distance, oscillate between tapestry-like detail and abstraction, where film and digital subclips intersect and imitate. Marking a
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