Themes: Animation

IN FAR AWAY LAND

Back stroke butterfly, front crawl and bras, we are awash in an ocean of bubbles. Meanwhile Captain Ahab sets sail on his magic carpet in

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Fluorescent Girl

Fluorescent light reflects on a girl’s image, found in a book of photographs in a bookstore. She merges with other images of shadow and light,

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Rappel

Sound and video collage, 35mm photographs, stop frame scans, and Super8 footage. Recordings: silences, voicemail, singing in French and locking up a public building.

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Poemfield No. 7

The series is called POEMFIELD. All of these films explore variations of poems, computer graphics, and in some cases combine live action images and animation

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Poemfield No. 1

The series is called POEMFIELD. All of these films explore variations of poems, computer graphics, and in some cases combine live action images and animation

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Mic Drop

When Obama dropped the microphone, he knew what he was doing: this gesture remains a powerful way of underlining some final words. Derived from the

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The View from Nowhere

The View from Nowhere is a single-channel moving image work which explores man’s place in nature through the science and technology of CERN, the particle

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Four Films

Mike Dunford’s 8mm films were made within a short period of time between 1968 and 1971 whilst he was a sculpture student at Goldsmiths College.

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Where Shapes Come From

Where Shapes Comes From is a moving image work which considers how science translates nature, on an atomic scale.Filmed in the mineral sciences laboratory at

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The Secret Story

Music composed and arranged by Dick Connette. Vocals by Sonya Cohen. Music produced and arranged by Dick Connette and Scott Lehrer, engineered by Scott Lehrer.

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All At See

A companion piece to the film It’s All In The Mind except this time we are not land-locked, we are all-at-sea. Eden’s drawings are aquatically

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Tosse not my Soule

“Tosse Not My Soule” counterpoints the polyphonic radiance of English Renaissance madrigal composition with contemporary urban realities. Three songs from the 16th century by John

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The Chimera of M

Entering the unfamiliar virtual space of a 3-D stereoscopic, digital animation, viewers find themselves behind the eyes of an unseen and distinctly unreliable protagonist.

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