Themes: Capitalism

Xitana ხითანა

First film in Medoidze’s Tusheti Trilogy, Xitana is centred around a bareback horse race tradition in Tusheti mountains – a display of masculinity as much

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MADOLI

The traditional celebration of Madoli – with rich mixture of pagan and early Christian symbolism – is held every summer in the mountains of Tusheti

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Soil, Sinew and Bone

Working with film footage from Screen Archive South East, spanning the 1930s to the 1970s, Blandy charts the protracted revolution from the age of horsepower

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An Excavation

In 2014, 45 crates of looted antiquities were discovered at Geneva Freeport in a warehouse belonging to disgraced antiquities dealer Robin Symes. They contained tens

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Hercules: Rough Cut

Hercules: Rough Cut refers to the Roman version of the Greek Heracles, a series of stories rife with internal contradictions and gathered from multiple sources

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Becoming Plant

Becoming Plant  (2022) follows six dancers who participate in a therapeutic group experiment with psychedelics, while temporarily ‘living’ together on the demilitarised industrial site. While

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i eye aye

A post-mortem archaeology of the creative path followed by a non-existent artist into the cosmological eternal present.(A tissue of truthful lies documented by the Archive

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Alternative Economies

Alternative Economies was made in conversation with herbalist Rasheeqa Ahmad and financial services regulator Rachel Bardiger. The film discusses the imperialist exploits of the Disney

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Eye Cut

The film’s protagonist is a masked woman in a nude bodysuit, who wears a cardboard box that doubles as a theatre stage. The woman takes

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Beit Iksa Boys

A fragmentary account of a journey through Jerusalem Stone quarries, Beit Iksa Boys (2013) indirectly explores the complex role of land, stone and resources in

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Covid Messages

‘Covid Messages’ is a video in six parts, based around broadcasts of Prime Minister Boris Johnson’s COVID-19 press conferences. The work focusses on the British

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Valeria Street

Initiated by an unearthed photograph of her father and his colleagues around a conference table in a generic mid-century office, Valeria Street charts a personal-political

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