City of Dreadful Something, draws upon Herbert Read’s archive as a jumping off point, combining a poem by the late Martin Bell, cover visuals from
In ‘PHX [X is for Xylonite]’, the first semi-synthetic plastics are considered through their relationship to the chemical and industrial development of photography and film.
Exploring social histories through film, photography, print, text and performances, Helen Cammock creates multiple and layered narratives that are not linear, allowing the cyclical nature
‘A sea eagle screams from the rock, and my race began like the osprey, with that cry, that terrible vowel, that I,’ a female narrator
INFINITY minus Infinity draws on several inspirations: the modernist verse of the Jamaican poet Una Marson, the alluvial invocations of the Martinican philosopher and poet
Patrick Staff’s vibrant, colour-coded video uses text from Heinrich von Kleist’s 19th-century play of the same name to explore themes of persecution and punishment to
Meta Incognita: Missive II is the second in a triptych of films that utilise different histories along and within the River Thames: from Milbank Prison,
‘Cloudberries’ was shot in Arctic Russia, on the Kola Penisula along the so-called Northern Sea Route during the hottest summer on record. It was filmed
Set on Essex Road among an established local community in Islington London, this film looks at the complex relationship between people and place. Growing up
Silent film of the architectural design and layout of The Ark community in France, founded by Grace Ndiritu.https://www.thearkcenterexperiment.comCreated by artist Grace Ndiritu, The Ark: Center
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