Capitalism Archives - Page 4 of 4

interregnum

In 2008 de-regulated globalised finance capital brought the world to the brink of disaster. Its ideology of market fundamentalism and unconstrained corruption proved to be

Finding Fanon Part Two

Finding Fanon Part Two collides art-house cinema with digital culture’s Machinima, resulting in a work that explores the post-colonial condition from inside a simulated environment

Memory Block

Memory Block explores the phenomena of the now demolished Heygate Estate becoming the go-to ‘urban dystopia’ film location for over 70 feature films and TV

United Red Army (The Young Man Was, Part I)

United Red Army (The Young Man Was Part I) (70’, 2011) September 1977. The Japanese man speaks in halting English; the Bangladeshi negotiator with the

Afsan’s Long Day (The Young Man Was, Part II)

Afsan’s Long Day (The Young Man Was, Part II) (40’, 2014)January 1974. Or, Autumn 1977. Now, in a Dhaka flat, historian Afsan Chowdhury writes diary

Last Man in Dhaka Central (The Young Man Was, Part III)

Last Man in Dhaka Central (The Young Man Was, Part III) (82’, 2015) November 1975. The Summer of Tigers was a twilight moment for multiple

Abu Ammar is Coming

A photograph circulates, showing five men staring out of a window. Actually, only four look out; the last man breaks protocol and looks at the

Theodosia

Theodosia reflects on the connections between a people and a place, between a person and the earth on which he walks, and the physical and

Time And The Wave

The paradox of the present as a time that cannot be reflected upon until it has already become past, seems consistent with the idea of

Ultimate Substance

Drawing on references from archaeology, philosophy, mathematics and ritual, Ultimate Substance departs from the hypothesis that the introduction of coinage in the ancient Greek world

About Now MMX

Shot from the 21st floor of the iconic Balfron Tower, the film takes in the city of London below. Filmed mostly in time-lapse with the

Hydra Decapita

The first installment in a trilogy of film essays, Hydra Decapita uses the imaginary world in the concept albums of Detroit based techno duo Drexciya

Trail of the Spider

The film is an unsettling trans-historical vision of the Wild West that collides with the suppressed history of the multi-racial American West and the conflicts

The Globalization Tapes

The Globalisation Tapes: a collaboration between the Independent Plantation Workers’ Union of Sumatra (Indonesia), the International Union of Food and Agricultural Workers (IUF), and Vision

Social Visions

Social Visions suggests the myriad histories and futures that constitute Los Angeles; a city whose public image has been used as cover for the abuse

Themes: Capitalism