Building on a Prehistory: Artists’ Film and New Media in India, Part 3
In the third post by our current writer in residence, Shanay Jhaveri talks to artist Nalini Malani on her work at Vision Exchange Workshop, Cinema, Feminism and Paris after 68.
In the third post by our current writer in residence, Shanay Jhaveri talks to artist Nalini Malani on her work at Vision Exchange Workshop, Cinema, Feminism and Paris after 68.
New Artist Focus: Laura McLean-Ferris on LUX Artist Deimantas Narkevicius
At the 54th Venice Biennale in 2011, Ranjit Hoskote curated the Indian Pavilion, titled Everyone Agrees: It’s About to Explode. Amongst the various works presented
In the first post by our new writer in residence, Shanay Jhaveri discusses a selection of rediscovered films by artist Nalini Malani.
The final instalment of Colin Perry's series on independent British film.
In the fourth post by our Writer in Residence, Colin Perry considers the work of Marc Karlin.
The third post by our current writer in residence, Colin Perry.
The second post of the series by LUX Writer in Residence Colin Perry on the rejection and contemporary reinscription of documentary as a critical form.
The first post of the series by LUX Writer in Residence Colin Perry on British Independent Film and Video. Part I 'What was British independent film?' examines the rise of independent film as a critical and interventionist strategy.
The concluding instalment of writer-in-residence series Print Checking as Criticism by Mandi Goodier
The third instalment of writer-in-residence series Print Checking as Criticism by Mandi Goodier
Mandi Goodier on the intrigue of defacement and damage in film
The first post of the series by Mandi Goodier on utilising print checking as a critical tool
In the final part of his writer-in-residence series, James Boaden examines the complexity of Brakhage's metaphors of vision
James Boaden on how Brakhage's films simultaneously draw on and exceed Abstract Expressionism
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