Themes: Desire

Image of a statue of an angel with wings holding a cross in the background and in the foreground, a hand slightly covering the lens on the left side of the frame and the entire right side of the frame is tinted red.

Circe’s Dream

Circe’s Dream is part of a larger body of work that reimagines the myth of Medea through the lens of her displacement from Colchis (modern-day

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Being Blue

In 2023, Fowler embarked on a residency at Prospect Cottage, the former home of artist, filmmaker and activist Derek Jarman (1942 – 1994). Jarman moved

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Being John Smith

“An autobiographical reflection on his unassuming name leads the filmmaker down a wayward path through family photographs, personal archives, and internet searches. Alternately wry and

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The Retreat

Exile as a space for transnational solidarity is explored through a discursive, community-oriented process of production centred around a retreat in the South of France.

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MEN OF MY DREAMS

A reflection on the artist’s exile, the film unfolds a series of vignettes that toy with the unstable ground between dream and reality. Seeking the

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The Invisible Worm

The Invisible Worm is a funny / serious film with spontaneous moments of joy, physicality and thinking aloud. The subtext of the film is the

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The Umpire Whispers

‘The Umpire Whispers’ is an exploration of the intimacy that arises between a swimming coach and an athlete. In the film, Manna returns to meet her coach

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Blessed Blessed Oblivion

BLESSED BLESSED OBLIVION weaves together a portrait of masculine performativity in East Jerusalem, as manifested in gyms, body shops and hair dressing parlors. Inspired by

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Wayfaring Stranger

Wayfaring Stranger charts the life of an itinerant character, embodied by seven performers, across seven days, representing seven decades. Running from the city, through post-industrial

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MARIA

MARIA is Nina Danino’s 5th feature length film and a sister film to the recent SOLITUDE (2022) with Nico (Velvet Underground) as icon, screen and

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Double Exposure

Double Exposure re-stages photographs of Pucill and her once partner, filmmaker Sandra Lahire that were made collaboratively shortly before Lahire’s death from anorexia in 2001.

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