Themes: Desire

Undercurrent 528

Undercurrent 528 draws on Stephen Dwoskin’s complex relationship with care, desire and everyday rituals as made visible in his vast oeuvre and reorients it from

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The Hide

The Hide was shot over a three-year period (2019-2022), both in the remote mountainous region crossing Northern Portugal and Spain, and in Brussels. The work

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Becoming Plant

Becoming Plant  (2022) follows six dancers who participate in a therapeutic group experiment with psychedelics, while temporarily ‘living’ together on the demilitarised industrial site. While

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The Muse

The second part of No End to Enderby, The Muse, in which a young historian journeys to a parallel universe to investigate whether Shakespeare really wrote everything credited

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Your Estatic Self

Your Ecstatic Self follows a conversation unfolding in a car with Sajid. As the journey progresses Sajid discusses his engagement with the philosophy and practice

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Weed Killer

Inspired by artist-writer Catherine Lord’s memoir The Summer of Her Baldness (2004), a moving and irreverent account of the author’s experience of cancer. At the

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The Prince of Homburg

Patrick Staff’s vibrant, colour-coded video uses text from Heinrich von Kleist’s 19th-century play of the same name to explore themes of persecution and punishment to

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Two

Two uses a female erotic gaze to look for places where love might be found in contemporary life and to explore what might constitute supportive,

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Lourdes

Lourdes is a new work developed from a residency in Tepito, Mexico, centring upon a discussion with a market trader called Lourdes. Interviewed about her

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Breath of Sense

A film collaboration between Helen Petts and poet Albert Pellicer exploring sound, wind, landscape and whistling. Breath is Sense is a poem by Albert Pellicer,

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[sic]

In a Kyoto bookstore, an employee receives a parcel of new books. She methodically leafs through them, scratching the surface of certain pages with a

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