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On Audio Description. Elaine Lillian Joseph and Sarah Hayden in Conversation

To mark the beginning of a new collaboration between LUX, Voices in the Gallery and Elaine Lillian Joseph exploring audio description, Sarah Hayden of Voices

Our history

In the following years, it moved to share offices with John ‘Hoppy’ Hopkins’ BIT information service and then, with the breakaway group that formed the

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still image from Receiver by Jenny Brady a young white girls face in close up wearing headphones, she gazes calmly into the camera, there is a caption in white which reads 'because headphones'

New Artist Focus: Sarah Hayden on Jenny Brady

[pre-credit] Jenny Brady’s work is preoccupied with communication. Her films inquire into what delimits, delays or denies a being’s capacity to send (to speak, sign,

A white woman and white man in wheelchairs weightlifting in a well-lit indoor space.

Dwoskin, disability, and…accessibility: Face of Our Fear

LUX X CFAC presents Dwoskin, disability, and…accessibility: Face of Our Fear as part of the AHRC-funded project, The Legacies of Stephen Dwoskin. Discussion with David Ruebain,

City of Dreadful Something

City of Dreadful Something, draws upon Herbert Read’s archive as a jumping off point, combining a poem by the late Martin Bell, cover visuals from

A view of an empty underpass under which A road diagonally cuts through. Outlines of a bridge create a vanishing point at the centre of the frame.

B-SIDES Live Walk

Adam Farah will be streaming a live walk through the city they were born in and the borough they were raised in – London, Brent.

A black person is reading in front of a speaker stand on a stage. A large screen is projecting an image of a person in a full face mask.

This Work Isn’t For Us Part 3

This Work isn’t For Us is an ongoing study, initiated by Jemma Desai. Partly a critical appraisal of historic ‘diversity’ initiatives, partly an alternative policy

Layers of images, photos and text windows on a computer desktop. A vertical image of a tranquil ocean and cloudy sky is on the left. On the right a text file reads, What words say does not last. The words last. Because words are always the same, and what they say is never the same.

“What do we want from each other after we have told our stories?”

“What do we want from each other after we have told our stories?” An iterative reading and reflection on the making and dissemination of This

Still from Bright Eyes, Stuart Marshall, 1984

Picturing A Pandemic

LUX is pleased to present a new series of screenings, texts and discussions curated by artist and writer Conal McStravick considering what the history of

Two widely blossomed flowers on the left in contrast to a dark background. The subtitle writes, let's not disclose our identities.

HERVISIONS AT LUX
OUT of TOUCH

LUX is working with curatorial agency HERVISIONS founder Zaiba Jabbar to help us critically reflect on the radical shift to the digital space as a

Crossroads Women’s Centre present
All Work and No Pay &
Women of the Rhondda

As part of our current exhibition All You Need’s An Excuse, please join us for a special screening of a recent acquisition by the London Community

Study day: Forming a Residents’ Association

As part of the exhibition All You Need’s an Excuse, in collaboration with the London Community Video Archive, we are hosting a day of screenings

BFMAF LUX Project Boot Camp 2019

The BFMAF/ LUX Project Bootcamp is a three-day workshop for artists seeking to develop their new moving image project lead by Benjamin Cook, Director of

A body that wasn’t there appears

In anticipation of the earliest sunset of this year, the students of the Goldsmiths MA Artists’ Film & Moving Image invite you to experience a

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LUX, Waterlow Park Centre,
Dartmouth Park Hill, London, N19 5JF, UK

Telephone: +44 (0)20 3141 2960

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Charity No: 1094936