City of Dreadful Something, draws upon Herbert Read’s archive as a jumping off point, combining a poem by the late Martin Bell, cover visuals from
A Distant Echo is a feature film that explores themes of myth, identity, culture and the construction of history. Shot on 35mm film, A Distant
In ‘PHX [X is for Xylonite]’, the first semi-synthetic plastics are considered through their relationship to the chemical and industrial development of photography and film.
‘nine nine nine nine nine’ amalgamates archival and recent 16mm footage filmed inside 53 Beck Road, one of several on a road of terraced houses
A collaged film work that takes open access online film clips to asks questions about personal responsibility, empathy and action. Moments in history knock up
山洞裡有山 A ceremonial film of the projection of ‘Double Ghosts’ in Taiwan’s Chin Pao San cemetery on 19th August 2018. Inspired by tradition of temple
內聖 / 外王 Gathering interviews, readings, photographs and research material exploring Raúl Ruiz’s unfinished film The Comedy of Shadows. Inner Sage/Outer King is an open
Moveable Bridge, 2017, made on a residency in Hull, draws together Nina Simone, Philip Larkin, Winifred Holtby and the Housemartins. Partly, Cammock reveals the way
Exploring social histories through film, photography, print, text and performances, Helen Cammock creates multiple and layered narratives that are not linear, allowing the cyclical nature
Inspired by the forgotten histories, photographs and artworks uncovered in Wysing Arts Centre’s archive, Cammock’s new film acts as a reflection on the politics of
Changing Room is a video piece centred around the ceramic works made by George Cammock throughout his life, set in a space that has been
‘(Reprise) Sunday’s Best’ considers how belief systems within the diaspora are inflected by colonial histories. As part of his current research Larry Achiampong is interested
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