Berlin Mirror (2042 Retrospective) is Chapter 10 of Lawrence Lek’s Bonus Levels (2013-2016), a series of site-specific video games based on alternate versions of real
“Pyramid Schemes” is a powerful treatise on architecture in eleven chapters. Narrated by a computer-simulated voice, the video opens with the premise that “architecture is
The second part of the N’importe Quoi series, the first being N’importe Quoi (for Brunhild), also comprises footage of Brunhild Meyer-Ferrari at her home in
A reflection on images of violence, the film strings together excerpts from Medoidze’s writing and archive footage. Filmed in the vicinity of Hotel Tbilisi, during
Irish satirist, Jonathan Swift’s 18th-century novel, Gulliver’s Travels (1726) is interpreted through a re-cut of a 1939 animation of the book, resulting in the 16
Exile as a space for transnational solidarity is explored through a discursive, community-oriented process of production centred around a retreat in the South of France.
The Silver Wave was an ‘Untold Stories’ commission for the Royal Albert Memorial Museum, Exeter. Inspired by objects from the Arctic region in RAMM’s collection,
‘The Fruit is There To Be Eaten’, the second instalment of the Dissolution Trilogy is based on Michael Powell and Emeric Pressburger’s Black Narcissus (1947).
In House of Women (2017), the artist recasts the role of a silent, dancing girl named Kanchi in the film Black Narcissus (1947). The coveted
Elephant Boy (2016) sees Krishna Istha re-enact the introductory sequence of Zoltan Korda’s Elephant Boy (1937), in which child actor Sabu recites lines by rote
Lagerah – The Last Born is a work anchored around theories of abolition, rebellion, ancestral knowledge and love. Shot on location in Scotland, London and
A reflection on the artist’s exile, the film unfolds a series of vignettes that toy with the unstable ground between dream and reality. Seeking the