White Adonis is a video which references James Bidgood’s Pink Narcissus, while using as its inspirational myth the scene of Adonis’ death. The video was
“Empire of the Swamp” (2023) begins with a figure wandering from the mangrove swamps surrounding the city edges of Singapore to Bukit Brown Cemetery in
A politics of the interior of the house – as both psychological and physical space – is lacking in historical accounts of modern architecture. The
Immaterial Terrain is a film made by Emily Richardson along a seven-mile stretch of the Suffolk coast between Sizewell nuclear power station and the mythic
Evidence of things unseen but heard (2018) is an audiovisual collage conducted as an archaeological survey into the music scene of the city of Bristol,
A modernist monument in Tbilisi nicknamed Andropov’s Ears (after the then-head of the KGB, Yuri Andropov) has recently been demolished by the neoliberal Georgian government to be replaced by
Black Sea is really Black is a road movie of sorts, tracing Medoidze’s car journey from the Cave City of Vardzia in Eastern Georgia to
The narrative follows a road movie schema, but only superficially: a Belgian actress arrives in Tbilisi airport to travel to the medieval cave city of
First film in Medoidze’s Tusheti Trilogy, Xitana is centred around a bareback horse race tradition in Tusheti mountains – a display of masculinity as much
For me the Tush people stand out for their dedication to their traditional way of life which is influenced by extreme weather conditions as much
Informed by interviews with first-generation migrants living in the UK, this short film weaves together the lives of multiple characters as they confront inherited ideas
The Edge of Forever (2022) centers on two questing children seeking to unravel the mysteries of a damaged world in a landscape loaded with symbolism.
Working with film footage from Screen Archive South East, spanning the 1930s to the 1970s, Blandy charts the protracted revolution from the age of horsepower
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