Hercules: Rough Cut refers to the Roman version of the Greek Heracles, a series of stories rife with internal contradictions and gathered from multiple sources
‘Letter from Sapporo’ offers a glimpse of daily life in the Japanese city of Sapporo. The film is the product of approximately 16 participants who
Whittle’s 2019 filmwork What Sound Does the Blk Atlantic Make? departed from a visit to the archives of the North British Rubber Company, founded in
Alberta Whittle’s Sorry, not sorry focuses on the pressure put on the Windrush generation to represent conflicting identities: the exotic with the alien; the carefree
‘Business as usual’ is a set phrase used commonly in the business realm to manifest an ‘on going and unchanging state of affairs despite difficulties
A Mixed race body explores a Norfolk (UK) landscape whose future is uncertain due to coastal erosion. The physical erosion of the landscape, mirrors the
A fragmentary account of a journey through Jerusalem Stone quarries, Beit Iksa Boys (2013) indirectly explores the complex role of land, stone and resources in
Flowers of the Sky (a medieval term for comets) draws on two panoramic photographs, found in a Los Angeles thrift shop, that depict a gathering
Initiated by an unearthed photograph of her father and his colleagues around a conference table in a generic mid-century office, Valeria Street charts a personal-political
Look and Learn excavates the visual vocabulary we use to operate and construct the daily world. Look and Learn explores the juxtaposition of two material
“It was a lover and his lass” a single-channel, video collage by Stephen Sutcliffe takes its title and soundtrack from a song in Act 5,
City of Dreadful Something, draws upon Herbert Read’s archive as a jumping off point, combining a poem by the late Martin Bell, cover visuals from
A Distant Echo is a feature film that explores themes of myth, identity, culture and the construction of history. Shot on 35mm film, A Distant
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