Protection Leader is a super 8 leader film collage assembled over 5 years.
In her recent films, Geiser has been exploring the possibilities found in merging video texture with film, creating a kind of deep, ambiguous space, a
Throwing the view through windows from monumental towers in contemporary medieval European city and town. This eccentric exploration of urbanised space revolves around a setting
The Peruvian Galapagos Islands feature in Hammer’s most recent film Endangered, where Blue-footed Boobies, seals and iguanas are equated with the filmmaker herself who identifies
The image of a swinging mirror, a 15 second pan from right to left following Luis whose eyes look into the camera lens. Subsequently this
The suspended image of a surfer, refilmed, almost at the border of recognition dissolved in grain and contrast. The looped surfer surfs endlessly, surfs nowhere,
THEO ESHETU uses the manipulation of television language as a means for artistic expression. His work unites a formal research on the grammar of video
“After having developed The Inevitability of Colour a stage further with Echo’s Revenge, I realised I had another step to go – I had to
Presentiments enquires into functions used during the act of interpretation on seeing a work of art. The tradition of Art History in the West has
‘I have been producing video works which infuse stream-of-consciousness techniques within an electronic and digital syntax. These works all operate within the surrealist and mythic
TV Fighter is undoubtedly one of the few classics of British video art (Halls This is a Television Receiver is another). Not only does it
Vocabulary is designed to convey in a didactic form the basic energy laws in electronic imaging. Here a hand, as a metaphor for expression and
Working as a collaborative team from 1976 until 1982, John Sanborn and Kit Fitzgerald created influential works that broke new ground in their dynamic fusion
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