Throwing the view through windows from monumental towers in contemporary medieval European city and town. This eccentric exploration of urbanised space revolves around a setting of the traditional 16th century Norfolk song Go from the Window. The melody reconstructed from an ensemble of samples from a variety of sources, determined the choice of a series of views from ‘the window’ and elsewhere. Framed by a fragmented clapping rhyme it echoes Music Hall and anthropological folk recordings in a neo-rococo vaudevillian romp for the surveillance age.
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