Object Interviews (Part III)
‘Object Interviews’, is a series of three films in which specialists from various fields interpret and discuss a range of film props. Part I features
‘Object Interviews’, is a series of three films in which specialists from various fields interpret and discuss a range of film props. Part I features
‘Automamusic’ is a film about mechanical music. Intricate views of self-playing violins, accordions, drums, pianolas, and orchestrions are offset by scenes in which floating musical
Chromatic Aberration is a film which explores the early technologies of colour filmmaking drawn from the archives of George Eastman House, Rochester, New York. Featuring
Back stroke butterfly, front crawl and bras, we are awash in an ocean of bubbles. Meanwhile Captain Ahab sets sail on his magic carpet in
This film was made in collaboration with artist Rose O’Gallivan: To the microphone please (with Mrs Soprano) contains the dramaturgy of a press release in two languages posing
“My artworks have neither object nor space nor line nor anything – no forms. They are light, lightness, about merging, about formlessness, breaking down form.
THIS IS A PROJECTION This is a projection This is a projector This is a slide projector This is a slide This is a series
This film is a photographic portrait in response to the idea of simplicity and poverty which is the guiding principle of the Poor Clares and
Video Instruction for the Last Sculpture | Over the past year I have been following a fitness program and repairing my computer through online instruction
Inspired by the delirious dribble paintings of Jackson Pollock and the demented drivel sprouted by monotheistic clerics, the film is a celebration of difference and
Henri Bergson, who didn’t care much for cinema, wrote in Creative Evolution that in order to have an authentic intuition of duration, one had to experience it,
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