How to Fly was commissioned to reflect on the uncertain times that we currently found ourselves in during the Coronavirus pandemic. This new works show
This ambitious film explores the ethics of scientific discovery and the complex relationship between science, politics and race in our age of avatars, video gaming
Filmmaker and artist Alberta Whittle traces Transatlantic ancestral trauma through her own voice, in song and spoken word and through her body.
Whittle’s 2019 filmwork What Sound Does the Blk Atlantic Make? departed from a visit to the archives of the North British Rubber Company, founded in
Alberta Whittle’s Sorry, not sorry focuses on the pressure put on the Windrush generation to represent conflicting identities: the exotic with the alien; the carefree
‘Business as usual’ is a set phrase used commonly in the business realm to manifest an ‘on going and unchanging state of affairs despite difficulties
A Mixed race body explores a Norfolk (UK) landscape whose future is uncertain due to coastal erosion. The physical erosion of the landscape, mirrors the
Afrofuturism is communicated via the Bahamian people through Junkanoo, a form of carnival in the Bahamas, originally celebrated by the enslaved who were given Christmas
Who has the right to speak about whom? An understanding from afar of the colourful world of Junkanoo, a carnival- like celebration of the Bahamas.
A necessary youthful take echoing on questions of home, community and crisis in the metropolitan city of London.
“It was a lover and his lass” a single-channel, video collage by Stephen Sutcliffe takes its title and soundtrack from a song in Act 5,
LUX, Waterlow Park Centre,
Dartmouth Park Hill, London, N19 5JF, UK
Telephone: +44 (0)20 3141 2960
Sign up to our newswire to stay up to date with everything LUX
LUX is a registered charity and not-for-profit company limited by guarantee:
Company No: 4421812
VAT No: 795 9063 73
Charity No: 1094936
© 2021 LUX. All rights reserved.
