Identity Archives

4 ayes

A frolic through the foreafter “in the aye”; A tale told in four ayes The four-abend of the other ayes; An oculists nightmare; A random

3rd aye

The long-unawaited treacle-trequel of the “aye” heterology following the unfathomably suckercessfool prequel-equal-sequel, “i 2 aye” (over 40 awards at over 50 festivals in 1st 6

Empty Rider

““But how can we be certain about an AI’s period of infancy?”” In this science fiction short, the sentient self-driving car Vanguard-3181 stands trial for

NOX

NOX is an immersive exhibition that imagines the psychological consequences of a future populated by smart systems and intelligent machines. NOX (short for ‘Nonhuman Excellence’)

E-MINOR

E-Minor’s starting point is a linoleum tile depicting a clown’s face that existed in the basement of Hill’s grandparents’ home on Staten Island, New York.

Prelude

“Prelude” is part of a series of very short videos that Medoidze is producing. This series employs both original and archival material, showcasing her distinctive

Being John Smith

“An autobiographical reflection on his unassuming name leads the filmmaker down a wayward path through family photographs, personal archives, and internet searches. Alternately wry and

Caco, João, Mava and Rebecca. From nothing to something to something else, part 2

‘Caco, João, Mava and Rebecca’ follows 4 teenagers improvising with dance and movement. The camera follows each of them in long continuous shots, observing an

Bella, Maia and Nick

Bella, Maia and Nick witnesses the reunion of three teenagers surrounded by musical instruments in a room overlooking the sea. They play the instruments or

Oumi. From nothing to something to something else, part 3

Oumi is the third and final part of From nothing to something to something else, a series of three portraits of teenagers. While the first

Girl in Grass

At the side of a field a girl sits bored, listening to the idle chat of bargain hunters. A camera is placed in the grass

Oberon

Oberon (2023) was commissioned by BFI, as part of their landmark Powell and Pressburger exhibition, exploring the early genesis of their film The Red Shoes

Thieves

In the second instalment of Critical Affection Trilogy, and Williams Gamaker’s first film in Fictional Revenge, Thieves is a fantasy adventure retelling of the 1924

The Silver Wave

The Silver Wave was an ‘Untold Stories’ commission for the Royal Albert Memorial Museum, Exeter. Inspired by objects from the Arctic region in RAMM’s collection,

The Fruit is There to be Eaten

‘The Fruit is There To Be Eaten’, the second instalment of the Dissolution Trilogy is based on Michael Powell and Emeric Pressburger’s Black Narcissus (1947).

Themes: Identity