Themes: Identity

A Pledge

A Pledge is a work that explores the interconnected states of generational trauma, mental and physical health and communal agency. The film begins with the

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6:30

6:30 is Larry Achiampong’s debut documentary short. Made over lockdown 2021, 6:30 is a subjective meditation on the intersections of national trauma, personal dignity and

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A Letter (Side B)

A Letter (Side B) looks at the affective impact of history, immigration and geographical separation on two brothers living in Britain and Ghana. Through the

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4 ayes

A frolic through the foreafter “in the aye”; A tale told in four ayes The four-abend of the other ayes; An oculists nightmare; A random

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3rd aye

The long-unawaited treacle-trequel of the “aye” heterology following the unfathomably suckercessfool prequel-equal-sequel, “i 2 aye” (over 40 awards at over 50 festivals in 1st 6

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Empty Rider

““But how can we be certain about an AI’s period of infancy?”” In this science fiction short, the sentient self-driving car Vanguard-3181 stands trial for

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NOX

NOX is an immersive exhibition that imagines the psychological consequences of a future populated by smart systems and intelligent machines. NOX (short for ‘Nonhuman Excellence’)

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E-MINOR

E-Minor’s starting point is a linoleum tile depicting a clown’s face that existed in the basement of Hill’s grandparents’ home on Staten Island, New York.

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Prelude

“Prelude” is part of a series of very short videos that Medoidze is producing. This series employs both original and archival material, showcasing her distinctive

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Being John Smith

“An autobiographical reflection on his unassuming name leads the filmmaker down a wayward path through family photographs, personal archives, and internet searches. Alternately wry and

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Bella, Maia and Nick

Bella, Maia and Nick witnesses the reunion of three teenagers surrounded by musical instruments in a room overlooking the sea. They play the instruments or

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Girl in Grass

At the side of a field a girl sits bored, listening to the idle chat of bargain hunters. A camera is placed in the grass

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Oberon

Oberon (2023) was commissioned by BFI, as part of their landmark Powell and Pressburger exhibition, exploring the early genesis of their film The Red Shoes

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