Sunday’s Best is a film and installation comprised of vivid audio and images of praise and worship sessions in a Ghanaian community church, married with
A collaged film work that takes open access online film clips to asks questions about personal responsibility, empathy and action. Moments in history knock up
Exploring social histories through film, photography, print, text and performances, Helen Cammock creates multiple and layered narratives that are not linear, allowing the cyclical nature
Inspired by the forgotten histories, photographs and artworks uncovered in Wysing Arts Centre’s archive, Cammock’s new film acts as a reflection on the politics of
Changing Room is a video piece centred around the ceramic works made by George Cammock throughout his life, set in a space that has been
‘(Reprise) Sunday’s Best’ considers how belief systems within the diaspora are inflected by colonial histories. As part of his current research Larry Achiampong is interested
‘Object Interviews’, is a series of three films in which specialists from various fields interpret and discuss a range of film props. Part I features
‘A sea eagle screams from the rock, and my race began like the osprey, with that cry, that terrible vowel, that I,’ a female narrator
A Nightmare on BAME Street shows an urban tableau-vivant set in a skewed version of an area of Birmingham, where Pandhal grew up. In an
The Rebirth of Sacred Cow Mixtape Trailer mimics a rap music video with a new song teaser at the end to boot, featuring guest vocals
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