Valeria Street
Initiated by an unearthed photograph of her father and his colleagues around a conference table in a generic mid-century office, Valeria Street charts a personal-political
Initiated by an unearthed photograph of her father and his colleagues around a conference table in a generic mid-century office, Valeria Street charts a personal-political
Look and Learn excavates the visual vocabulary we use to operate and construct the daily world. Look and Learn explores the juxtaposition of two material
“It was a lover and his lass” a single-channel, video collage by Stephen Sutcliffe takes its title and soundtrack from a song in Act 5,
City of Dreadful Something, draws upon Herbert Read’s archive as a jumping off point, combining a poem by the late Martin Bell, cover visuals from
Klahr, whom critic J. Hoberman called “the reigning proponent of cut and paste” for his acclaimed collage animations, is best known for his seductive and
Sunday’s Best is a film and installation comprised of vivid audio and images of praise and worship sessions in a Ghanaian community church, married with
A collaged film work that takes open access online film clips to asks questions about personal responsibility, empathy and action. Moments in history knock up
Untitled (Eyemo rolls) is an ongoing body of over 200 individual 35mm camera rolls shot with Bell & Howell Eyemo 35mm film camera in various
Exploring social histories through film, photography, print, text and performances, Helen Cammock creates multiple and layered narratives that are not linear, allowing the cyclical nature
‘Ph03nix Rising: The Third Son’ is a short film and coming of age story. A textured synthesis of sci-fi, biblical and noir. Here late 20th
Back stroke butterfly, front crawl and bras, we are awash in an ocean of bubbles. Meanwhile Captain Ahab sets sail on his magic carpet in
Hybrid Vigor brings together appropriated material from historical archives and contemporary society. Music replaces dialogue, lyrics in the songs address ideas present in the video.
Chicago-based Steve Reinke and Berlin-based James Richards may be artists separated by twenty years of age and the Atlantic Ocean, but they share a fascination
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