Themes: Technology

A Blemished Code

A Blemished Code gives voice through spoken and sung script to the work and life of artist Margaret Benyon, a pioneer in the use of

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The Archive

This work comes as two forms, a VR based film and a single channel HD video file. The Archive (2017) is a video made inside

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Collision Index

A selection of objects from the eccentric collection of the McManus museum in Dundee, are reorganised into a new analogical composition, testing unexpected relationships between

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UNICA

UNICA is named after the writer and artist Unica Zürn (1916 – 1970), whose illustrated text The House of Illnesses (1958) figures her body and

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Dust to Data

Dust to Data tracks through the colonial history of archaeology, to current parallels in the data mining of DNA and social media image banks. Working

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The Hide

The Hide was shot over a three-year period (2019-2022), both in the remote mountainous region crossing Northern Portugal and Spain, and in Brussels. The work

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Becoming Plant

Becoming Plant  (2022) follows six dancers who participate in a therapeutic group experiment with psychedelics, while temporarily ‘living’ together on the demilitarised industrial site. While

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Alternative Economies

Alternative Economies was made in conversation with herbalist Rasheeqa Ahmad and financial services regulator Rachel Bardiger. The film discusses the imperialist exploits of the Disney

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Henry

Henry is an interrogation of an image, an intimate examination of a stranger’s face and the filmmaker’s Grandfather. The film examines a portrait, which was

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Lens Diary

Notes on relational optics.(or… what lens did I use and what it felt like to use it, how it affected my physical proximity to people

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On a glowing led lightbox is a ceramic tray with erratic edges filled with blue liquid. A finger wearing a silver ring touches the power button on the lightbox

ZZZ

‘ZZZ’ is described by the artist as a ‘nocturnal work’. Within the video we hear a tired voice-over reading across her incomplete notes during the

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Patrick

Luke Fowler’s work has long asked how we come to know someone in their absence. He has explored this question by creating posthumous portraits of

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