“Empire of the Swamp” (2023) begins with a figure wandering from the mangrove swamps surrounding the city edges of Singapore to Bukit Brown Cemetery in
‘Secondary Action’ is a series of sequential drawings made in 1977. The drawings show a world of unexpected danger, anguish and invasion: there are no
Black Sea is really Black is a road movie of sorts, tracing Medoidze’s car journey from the Cave City of Vardzia in Eastern Georgia to
The narrative follows a road movie schema, but only superficially: a Belgian actress arrives in Tbilisi airport to travel to the medieval cave city of
First film in Medoidze’s Tusheti Trilogy, Xitana is centred around a bareback horse race tradition in Tusheti mountains – a display of masculinity as much
For me the Tush people stand out for their dedication to their traditional way of life which is influenced by extreme weather conditions as much
Informed by interviews with first-generation migrants living in the UK, this short film weaves together the lives of multiple characters as they confront inherited ideas
Working with film footage from Screen Archive South East, spanning the 1930s to the 1970s, Blandy charts the protracted revolution from the age of horsepower
Violence of Order comprises a video projection landing on two delicate free standing pierced wood and copper wire structures. The wooden boards are cut, sliced
A solitary person stands in the middle of an empty grassy green ground in brilliant sunshine, laughing directly to camera. Laughter, absurdity, ridicule and humour,
Featuring Daily Photos and Observational Photos (both, 2000–2007) by Horst Ademeit (1937–2010), and an extract from Hemlock (2022) by Leslie Thornton. Special thanks to Fatima
A Blemished Code gives voice through spoken and sung script to the work and life of artist Margaret Benyon, a pioneer in the use of
The Blue Rose of Forgetfulness (2021, 63:30) is my latest feature length series of collage films, is a compilation of 6 films created between 2015
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