Shared Resources
Shared Resources depicts the filmmaker’s family after their father was fired from his job as a debt collector and their parents declared bankruptcy, largely due
Shared Resources depicts the filmmaker’s family after their father was fired from his job as a debt collector and their parents declared bankruptcy, largely due
This essay film confronts questions of accessibility through the filmmaker’s attempt to record their open-heart surgery. The film follows them, as they prepare for the
Circe’s Dream is part of a larger body of work that reimagines the myth of Medea through the lens of her displacement from Colchis (modern-day
Irish satirist, Jonathan Swift’s 18th-century novel, Gulliver’s Travels (1726) is interpreted through a re-cut of a 1939 animation of the book, resulting in the 16
Exile as a space for transnational solidarity is explored through a discursive, community-oriented process of production centred around a retreat in the South of France.
An homage to Etel Adnan (1925-2021) the film invokes a queer and ghostly presence through the recitation of Adnan’s poetry in Sausalito, CA where she
During the COVID 19 pandemic, Williams Gamaker was invited by artist Bianca Hlywa to support Refugee Solidarity South East, an online fundraiser for Lewisham Refugee
The Bang Straws is an aesthetically invigorating reworking of the casting process of Sidney Franklin’s The Good Earth (1937) a film notorious for a white
Brown Queers developed out of a need to create a docufiction of intersectional identity through multiple personas and styles in 2016, when the footage for
“Sunday Afternoon II (2001) is bathed in the lush colour of a post-war movie and slowed in tempo. A figure lies prone on the floor
In Sunday Afternoon (2000), the artist is seen lying on the floor while her lurcher dog licks and touches her, its legs at first glance
Lagerah – The Last Born is a work anchored around theories of abolition, rebellion, ancestral knowledge and love. Shot on location in Scotland, London and
A reflection on the artist’s exile, the film unfolds a series of vignettes that toy with the unstable ground between dream and reality. Seeking the
The film traces the Middle Eastern landscapes in the California desert back to histories of violence and colonization through agriculture, architecture and military intervention. Shot
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