Themes: Body

The Retreat

Exile as a space for transnational solidarity is explored through a discursive, community-oriented process of production centred around a retreat in the South of France.

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VEINS (slightly soft)

During the COVID 19 pandemic, Williams Gamaker was invited by artist Bianca Hlywa to support Refugee Solidarity South East, an online fundraiser for Lewisham Refugee

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The Bang Straws

The Bang Straws is an aesthetically invigorating reworking of the casting process of Sidney Franklin’s The Good Earth (1937) a film notorious for a white

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Brown Queers

Brown Queers developed out of a need to create a docufiction of intersectional identity through multiple personas and styles in 2016, when the footage for

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Sunday Afternoon

In Sunday Afternoon (2000), the artist is seen lying on the floor while her lurcher dog licks and touches her, its legs at first glance

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MEN OF MY DREAMS

A reflection on the artist’s exile, the film unfolds a series of vignettes that toy with the unstable ground between dream and reality. Seeking the

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Medina Wasl: Connecting Town

The film traces the Middle Eastern landscapes in the California desert back to histories of violence and colonization through agriculture, architecture and military intervention. Shot

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The Invisible Worm

The Invisible Worm is a funny / serious film with spontaneous moments of joy, physicality and thinking aloud. The subtext of the film is the

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Foragers

‘Foragers’ depicts the dramas around the practice of foraging for wild edible plants in Palestine/Israel with wry humor and a meditative pace. Shot in the Golan Heights,

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Wild Relatives

Deep in the earth beneath Arctic permafrost, seeds from all over the world are stored in the Svalbard Global Seed Vault to provide a backup

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