‘An actor holds a conversation on a telephone, only his voice is heard. His monologue attempts to draw the audience across the time barrier between when the film was shot and when it is seen, gradually revealing the conversation as a hypothetical one with the audience themselves……Also, unconventional juxtapositions are applied in the editing to support this and ultimately pose questions about accepted notions of space/time continuity’David Hall and Tony Sinden, Perspectives on British Avant-Garde Film, Hayward Gallery, 1977.
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