‘A fixed camera single take film, which explores a shift in perception from the screen surface as a physical area, to the illusion of three dimensions in a filmed image.A view of a room is slowly revealed, and hints of colour are introduced, eventually transforming the ‘flatness’ of the initial monochrome view into the illusory image of the actual space seen.’
David Hall & Tony Sinden, Perspectives on British Avant-Garde Film, Hayward Gallery, 1977.
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