T.Z.

‘Breer’s world is homely but tumultuous, filled with sudden shifts in scale or colour, flash frame jolts, and a steady back beat of good natured apocalypse… he towers over a field where gimmicks are common currency and cuteness is as virulent as malaria in the tropics…T.Z. offers a typically witty barrage of domestic imagery and eclectic technique.’ – J. Hoberman, ‘American Film.’
‘An elegant home movie, its subject is Breer’s apartment which faces the Tappan Zee (T.Z.) Bridge. It is permeated, as are all his films, with subtle humor, eroticism and a sense of imminent chaos and catastrophe.’ – Amy Taubin,’ Art Forum Shown’,1981.