‘ displays sinuous cutting between live action and animated images, rapid-fire associations and transformations, freedom in collaging the everyday with the imaginary in sound and image, and a diabolical moment of synthesis at the climax when the rat trap is sprung…Breer is easily the greatest animator currently practising.’ – Amy Taubin.
‘… a typically bravura and delightful display of simple objective forms flashing and dissolving into abstraction…’ – J. Hoberman.
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