This film could be considered as a synthesis of the ‘How to Screw the CIA’ series. It is formally based on the permutative loop structure, superimposing a series of three pairs of image loops of different lengths with each other. The images include elements from all the previous parts of the series. The film sequences which make up loops, are again chosen for their combination of semantic relationships, and abstract factors of movement. The soundtrack is constructed for the film, but independently, and has a similar loop structure.
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