Using the technique of direct photography off the TV screen, he composes three minutes ‘in which we see, speeded up, the complete television programming on a day of union and military parades. There was a subliminal Franco, and we didn’t even submit it to the censors…’ (I.V.).
The soundtrack of Masaje alternates effects, noises and sounds of all kinds. The result is a really frenetic visual ‘massage’ that exposes the viewer’s eye to fleeting movie images, ads and news reports in rapid-fire succession.’ – Carlos F. Heredero
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