“Two Refusals (Would We Recognize Ourselves Unbroken?)” is an experimental film focusing on interwoven narratives around the mutual struggle against Portuguese colonialism between India and
“An autobiographical reflection on his unassuming name leads the filmmaker down a wayward path through family photographs, personal archives, and internet searches. Alternately wry and
A reflection on images of violence, the film strings together excerpts from Medoidze’s writing and archive footage. Filmed in the vicinity of Hotel Tbilisi, during
An essay written with screenshots collected from movies I watched on my computer. The digital screenshots were printed on 35mm slide and presented as an
The Bang Straws is an aesthetically invigorating reworking of the casting process of Sidney Franklin’s The Good Earth (1937) a film notorious for a white
‘The Fruit is There To Be Eaten’, the second instalment of the Dissolution Trilogy is based on Michael Powell and Emeric Pressburger’s Black Narcissus (1947).
In House of Women (2017), the artist recasts the role of a silent, dancing girl named Kanchi in the film Black Narcissus (1947). The coveted
Casting Kanchi (2015) is a spatialised and expanded version of House of Women (2017) and a response to the casting of white actor Jean Simmons
Lagerah – The Last Born is a work anchored around theories of abolition, rebellion, ancestral knowledge and love. Shot on location in Scotland, London and
A reflection on the artist’s exile, the film unfolds a series of vignettes that toy with the unstable ground between dream and reality. Seeking the
The Invisible Worm is a funny / serious film with spontaneous moments of joy, physicality and thinking aloud. The subtext of the film is the
HERE FOR LIFE (2019, 87mins) A film by Andrea Luka Zimmerman / Adrian Jackson Produced by ARTANGEL World premiere, 72nd Locarno Film Festival 2019, awarded
Deep in the earth beneath Arctic permafrost, seeds from all over the world are stored in the Svalbard Global Seed Vault to provide a backup
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