
_God_Mode_
In _GOD_MODE_ , Blandy and Achiampong present the history of eugenics and explore its present-day legacy in philosophical, poetic and polemic terms. Filmed in two

In _GOD_MODE_ , Blandy and Achiampong present the history of eugenics and explore its present-day legacy in philosophical, poetic and polemic terms. Filmed in two

A film diary, in 15 short dispatches, from a place that both does and does not exist – a state in waiting, a geography beyond,

Concert From Bangladesh is a mixed reality music concert, using cutting edge technology to take audiences on a virtual audio-visual journey through Bangladesh past and

Forest Futures is a poetic and thought-provoking film that visits ancient forest ecosystems from the earth’s past, imagines future forests in the face of changing

A staccato of images and sounds punctuate a letter, both impossible to compose and deliver. This film culminates over four years of research around the

[Image Description: In a dimly lit room, a white woman with blonde hair covers her face with her hands. Her eyes appear to be closed

[Image description: The inside of a body, including a spine and other organs, appears on a laptop screen. A white person’s hand reaches toward the

[Image description: Soldiers lower to the ground, doing a training exercise in a green space in a park, framed by a u-shaped black border that

In 2023, Fowler embarked on a residency at Prospect Cottage, the former home of artist, filmmaker and activist Derek Jarman (1942 – 1994). Jarman moved

“Two Refusals (Would We Recognize Ourselves Unbroken?)” is an experimental film focusing on interwoven narratives around the mutual struggle against Portuguese colonialism between India and


“An autobiographical reflection on his unassuming name leads the filmmaker down a wayward path through family photographs, personal archives, and internet searches. Alternately wry and

A reflection on images of violence, the film strings together excerpts from Medoidze’s writing and archive footage. Filmed in the vicinity of Hotel Tbilisi, during

An essay written with screenshots collected from movies I watched on my computer. The digital screenshots were printed on 35mm slide and presented as an

The Bang Straws is an aesthetically invigorating reworking of the casting process of Sidney Franklin’s The Good Earth (1937) a film notorious for a white