‘And still, it remains’ tells the story of Mertoutek, a village nestled in the Hoggar Mountains of Algeria’s Southern Sahara and home to the Escamaran
Double Exposure re-stages photographs of Pucill and her once partner, filmmaker Sandra Lahire that were made collaboratively shortly before Lahire’s death from anorexia in 2001.
An experimental feminist opera-film about class and conflict, ‘History of the Present’ has been made collaboratively by Maria Fusco and Margaret Salmon, featuring new compositions
Sounds from Beneath began with the artist Mikhail Karikis inviting a coal miners’ choir to recall and sing the sounds they used to hear when they worked
Immaterial Terrain is a film made by Emily Richardson along a seven-mile stretch of the Suffolk coast between Sizewell nuclear power station and the mythic
Evidence of things unseen but heard (2018) is an audiovisual collage conducted as an archaeological survey into the music scene of the city of Bristol,
A modernist monument in Tbilisi nicknamed Andropov’s Ears (after the then-head of the KGB, Yuri Andropov) has recently been demolished by the neoliberal Georgian government to be replaced by
Informed by interviews with first-generation migrants living in the UK, this short film weaves together the lives of multiple characters as they confront inherited ideas
The series FF Gaiden is part of an ongoing collaboration between the artists and wider communities examining the writings of the anti-colonial thinker Frantz Fanon
Crossroads (2009) was developed out of the artist’s investigation into the mythology surrounding the legendary Robert Johnson, a bluesman with three gravestones, 29 recorded songs
The ‘mirror test’ is a behavioural science experiment in which an animal is presented with a mirror to see if they recognise their own reflection,
Dust to Data tracks through the colonial history of archaeology, to current parallels in the data mining of DNA and social media image banks. Working
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