In No Sense

‘And as far as an essence of pleasure persists in the symptom, resisting ant interpretation, the end of the analysis might not be found in an interpretative solution of the symptom, but in an identification of the subject with this non-analysable point, with this particular ‘pathological’ tic, which is the only support of his existence after all.’ – Slovoj Zizek.
The most commercial films use this ‘pathological’ pleasure for suspense. In my filmwork the structure of narration and identification tries to make this pleasure itself to the ‘leading actress’. – C.S.